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Călin Peter Netzer’s follow-up to his Golden Bear winner “Child’s Pose” lacks that film’s directness and drive, and not only because this time he’s chosen to shuffle the sequence of events.

Chronicling the rocky relationship between a woman prone to sudden panic attacks and the man determined to stick by her, the film has a strong start but as it progresses, both characters make unconvincing personality about-faces even before they’ve lost the attractions they might once have had.

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A complex and layered film, it is framed in the present, but plays with the chronology of events to suit its thematic anchors: how relationships shape their protagonists and create inherent tension, abiding by no morality punch- card.

Elias is that kind of unpretentious character that everyone likes.

He works as an assistant-designer in a factory in São Paulo.

In French, we call this « la routine » or « métro boulot dodo ».

Why not spice things up again by adding a little French to your relationship?